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Full time Faculty

is a theatre artist that has collaborated on over 200 productions in the

greater Los Angeles area during the past two decades.  He designed the

lighting for Annapurna at the Acorn Theatre Off-Broadway, NYC.  He also

made his Minneapolis regional debut with his design for A Steady Rain at

The Guthrie Theatre.  He won the Suzie Award for Outstanding Lighting

Design for his design of A Steady Rain at the Alliance Theater in Atlanta,

GA.  In Los Angeles he most recently designed lighting for The False

Servant, Anna Christie (Stage Raw Nomination, Lighting), A Steady Rain,

and Passion Play(Stage Raw Nomination, Lighting) at the Odyssey Theatre,

the opera The Cloth Peddler at the Dorothy Chandler Pavilion, and the critically acclaimed L.A. production of We Are Proud to Present… at the Matrix Theater (L.A. Weekly 2014 Winner: Best Production).  He also designed the lighting for Henry IV Part One and Wedding Band (Stage Raw Winner, Best Revival) at Antaeus Classical Ensemble.  Other credits: T.O. Civic Arts Plaza: Jekyll & Hyde. REDCAT:  Sucktion. Pasadena Playhouse:  Mother On Fire. 

Michael holds an MFA from CalArts and is a very proud member of the Theatre Arts faculty at Pierce College where he teaches classes in introduction to theatre, technical stage production, lighting design, scenic design, stagecraft, stage management, and computer aided drafting for theatre.  He currently serves as the Department Chairperson of the Performing Arts Department (Theatre Arts and Dance).

Department Chair
Michael Gend (


Shaheen Vaaz-Chamarbagwala (

is full time faculty at LAPC Theatre, teaching Acting, Directing and History and directing multiple productions including Vanya and Sonia and Masha and Spike, Tartuffe, Hairspray, Arabian Nights, In the Heights and Top Girls which was a 2019 finalist at Kennedy Center's American College Theatre Festival. She received her MFA from Columbia University and her BA from Smith College.  

She is a founder of Epic Theater Ensemble in New York City, a multi-award winning

company. Vaaz has also performed, devised, produced, taught and/or directed with Yale Repertory Theatre, New York Theatre Workshop, Manhattan Theatre Club, the Public, La Mama ETC, the Mark Taper Forum, Theatre at Boston Court, East West

Players, Cornerstone Theatre Company, Mayfield Senior School, Los Angeles

High School of the Arts, California Institute of the Arts and USC. As a director, shows include The Tempest, A Midsummer Night’s Dream, Twelfth Night, Caucasian Chalk Circle, The Arabian Nights, Our Town, The Women, The Syringa Tree, Fiddler on the Roof, Twelve Angry Women, and West Side Story.

As an actor, plays include The House of Bernarda Alba, Homebody/ Kabul, Twelfth Night, Romeo and Juliet, Hedda Gabler and guest starring spots on Without a Trace, Law and Order: SVU, Eve, 24, and The Education of Max Bickford. She directed Shane Sakhrani’s A Widow of No Importance at East West Players and devised an original piece for Cal Arts based on the women of the Hindu Epics, called Devi: The Untold Story. Her original show Dirty Talk, has performed at colleges across the nation.

Esdras Toussaint (

is a Haitian born, American actor, director, producer, and teacher. He earned his MFA in Theatre from Columbia University. Esdras has contributed his talents to several outreach programs, including Classic Stage Company’s Young Company in New York, Theater Masters in Colorado, and Will Geer’s Theatricum Botanicum in California.

His theatrical career extends from the experimental and the avant-garde 

to Shakespeare and the classics.  For LAPC Theatre he most recently directed

Eight Nights and Inspecting Carol.

Esdras serves as a resident Artistic Associate at the prestigious Los Angeles

Drama Club (the country’s youngest Shakespeare ensemble) where he is

coming off of directing Timon of Athens. His other directing credits include: 

Antony and Cleopatra, Comedy of Errors, The Rules of Comedy by Peter Bloedel, 

This Is a Test by Stephen Gregg, and the internationally renowned play

Outspoken by Blaire Baron Larsen. Esdras is pleased to be joining Pierce College as a Theatre Arts full-time Instructor.

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JP Evans (They/Them/Theirs) is a non-binary – interdisciplinary - artist, educator, and LGBTQIA advocate. They received a BFA in Acting from William Carey University before singing and dancing in professional theatre, most notably Will Roger’s Follies, Crazy For You, and Joseph and the Amazing Technicolor Dreamcoat (National Tour).  They continued to act and direct regionally and later performed standup and improvisational comedy in Chicago, Illinois and trained at Second City Theater.  

They produced their solo show “Not Quite David Hasslehoff” in Chicago before making their way to California -- earning an MFA in Directing for Theatre, Video, and Cinema at California Institute of the Arts.  In California, they wrote their first full length play, And David Danced, which was awarded the Jean Kennedy Smith Playwriting Award and was performed at the
Kennedy Center for the Performing Arts and at European festivals in multiple
languages. In the Slovakia Theatre Festival Nova Drama, it received an audience award and is currently in development as a film. They were also a semi-finalist in the Nicholl Fellowship sponsored by the Academy of Motion Picture Arts and Sciences, and they have won numerous awards for screenwriting. They worked as director's assistant
to acclaimed filmmakers Nina Menkes, acted in The Resistable Rise of Arturo Ui with Jason Alexander and Noah Wyle, and apprenticed acting coaches Larry Moss, Tom Todoroff, and Gregorj Braj. They continued directing/producing theatre (The Diviners, As You Like It, Wonder of the World, Beehive The Musial,) commercials (Bank of
America/list upon request), indie films (The Buried, Playing in the Band), and television pilots (A&E, E! Entertainment).  Their short film Sepulte “The Buried” was called “haunting and with a rare atmosphere not achieved by most films” by Montreal Festival Programmer Daniele Cauchard. Their directing/filmmaking was also called “beautiful emotional and physical landscapes captured with exquisite skill and cinematic authority.” by Director Deborah Lavine. Sepulte “The Buried” was shown at San Francisco Film Festival, Frameline, Rhode Island Film Festival, Nashville Film Festival, New Orleans Film Festival, Austin Film Festival, Big Muddy Film Festival, Ann Arbor, Sidewalk Film Festival, Prague Film Festival, Berlinale, Berlin Gay and Lesbian Film Festival, Curta Cinema Festival of Rio De Janeiro, Zinebi Film Festival, and ZineGoat, amongst others. Their film, “Hoover Road”, opened at the Rhode Island International Film Festival (an Oscar qualifying festival) and was shown at many festivals as well.
They have taught Acting, Directing, Writing, and Filmmaking at: American Musical and Dramatic Academy, American Academy of Dramatic Arts, Chapman University, California State University Los Angeles, California State University San Bernardino Palm Desert Campus, New York Film Academy, Michael Chekhov’s Theatre of Arts, Santa Monica College, Citrus College, Riverside Community College, and most recently Los Angeles Southwest College. They have also trained for two summers in Poland in the theatre work of Jerzy Grotowski and devising theatre- earning them an advanced certificate in Physical Theatre from Teatr Piesn Kozla in Wroclaw, Poland. While at Southwest College, they were recognized for their teaching with the “Excellence in Theatre Education” award for their devising and social justice theatre work. While at Southwest, they also formed The LASC Experimental Theatre Lab-- a group of African American and Latino performers – dedicated to making current, interdisciplinary, devised social justice theatre pieces. The group toured to various colleges and 
community centers across southern California with works: “Never Be What They Say”, “The Threat 1.0”, “The Awakening,” “I AM NOT YOUR PROPERTY”, “George Floyd”, and “Criminal”. The ensemble was awarded a community service award by Social Action Partners, a regional entertainment grant, four regional awards from The Kennedy Center American College Theatre Festival, and three national awards from KC/ACTF – including “Outstanding Ensemble”, “Outstanding Company Generated Work”, and “Student Activist Award”.

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Adjunct Faculty

Anthony Cantrell (

has directed for both the educational  and professional stage for over 20 years. He made his LAPC directing debut IN 2017 with Stupid Fucking Bird. Some favorite productions Include: It’s Showtime, Folks (a Fosse tribute), The Crucible, The Diary of Anne Frank, and 9 to 5: The Musical.

Anthony has also been an actor at Pierce and some highlights include: All My Sons, Looking Glass, Beyond Therapyand most recently as Sherlock in Sherlock Holmes: The Final Adventure.

Anthony is currently the Director of Arts Education at CSUN’s Valley Performing

Arts Center and on the Theatre faculty here at LA Pierce College. 

Anthony received his Bachelor’s degree from UCLA and his Ph.D. in Theatre

from the University of Michigan.

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Apart from his role as an adjunct faculty member of the Theatre Arts Department at Pierce College, Frank Catalano is a faculty member at the School of Dramatic Arts at the University of Southern California, the Performing Arts Department at the University of South Carolina, and California State University, Northridge. He has also served as a consultant developing online programs in Humanities and Theatre for the President’s office at West Los Angeles College, the Getty Museum, and Center Theatre Group.

In his professional career outside of education, Catalano has contributed as an executive, producer, and writer at prestigious institutions such as Lorimar Studios, Beverly Hills Playhouse, Southern California Center for the Arts, Warner Bros, and 20th Century Fox Studios. He has also worked as a performer and writer in animated and live-action television series and feature films, including notable works like "The Adventures of Dynamo Duck" for Fox Television, "Digimon Digital Monsters," "Super Pig," "Bit the Cupid," "Bee Bop Cowboy," the groundbreaking Sci-Fi series "Robotech," "Flint the Time Detective," "Vampire Princess Miyu," "Honey Bee Hutch," and television series such as "Days of Our Lives," "LA Law," "NYPD Blue," and "Ugly Betty."

As an accomplished author, Catalano has penned numerous books covering Theatre Arts, writing, and film. His works include titles like "Short Monologues for Auditions," "Short Scenes for Auditions," "Book to Screen," "Short Monologues for Acting Classes," "Acting Your Way Up," "Acting How to Get Started," "Art of the Monologue," "Writing How to Adapt Your Novel into a Screenplay," and "Acting for Non-Actors."

He holds an MFA in Professional Writing from the University of Southern California and a Masters in Drama (Asian Drama) from the University of Hawaii.

Acting/Producing:IMDB Page-


Author Page links: Amazon -


U.K Publisher:


Acting Classes:


Theatre in Los Angeles: at USC -

was born in Nottingham, England and trained to be an actor at The University of Lancaster and with the Royal Shakespeare Company before going on to an acting career in London and Paris before moving to the USA. She has been on the theatre faculty at Pierce College since 2001. She directed How the Other Half Loves in 2012 and Independence in 2015.

Costumes/ Hair/ Make-Up
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Eileen Gizienski (

is an independent costume designer and wardrobe stylist, and is had been the LAPC Resident Costume Designer since 2012. A native of Los Angeles, Eileen holds a BA and MFA from UCLA, studying Costume and Theatrical Design. She has designed the costumes for LAPC Theatre’s productions of Cabaret, Hairspray, In the Heights, Tartuffe, Vanya, Sonia, Masha and Spike, How The Other Half Loves, Art, Laughter on the 23rd Floor, Rosencratz & Guildenstern Are Dead, The Fantasticks, It’s A Wonderful Life: A Live Radio Play, Twelfth Night, among many more. 

Eileen has worked in theatre, (national tours and regional theatre, including a stint at Nebraska Repertory Theatre where she designed the costumes for productions such as Kiss Me Kate and Take Me Along), television, motion pictures, award shows, and live performances. Having worked in theatre, opera and dance as a dress and costume maker, her experience has been instrumental in her ability to meet the unique demands of costumes designed for the stage. Having worked with many celebrities, her resume spans from variety shows designed by Tony award-winner Bob Mackie to network award shows, commercials for film, television and national advertising campaigns, such as the Target Missoni ads. 

After many years as a professional free-lance costumer, she is now based at LAPC Theatre, where she is Professor of Costume Design, Fashion History, Makeup and Design for Theatre. She mentors student designers, and imparts to them that costume design is part of the collaborative process of theatre and not simply decoration or embellishment, but a means for the communication of ideas, which takes the story, characters, and historical facts, and translates them through an emotional expression that culminates on stage in the final production. 

In addition to teaching, designing and mentoring at LAPC Theatre, she maintains an active free-lance design career. She was nominated for a Daytime Emmy award and is a member of IATSE Local 705.

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Scenic/ Lighting/ Sound
Frederica Nascimento (

Works in theatre, opera, dance, and film. Collaborates with several theatre companies and is a Resident Artist at A Noise Within (Argonautika, Othello, Henry V, The Maids, Arcadia, All My Sons, Julius Caesar, The Threepenny Opera, are some of her recent plays). Directors include José Álvaro Morais, Manoel de Oliveira, Wim Wenders, Pina Bausch, Robert Wilson, Rogério de Carvalho, João Canijo, Ruben Polendo, Chris Fields, Simon Levy, Laurie Woolery, Johannes Wieland, Larry Biederman, Jonathan Fox, Shishir Kurup, Steven Robman, Stephanie Shroyer, Geoff Elliott, Julia Rodriguez-Elliott, and Shirley Jo Finney among others. Frederica is a Usual Suspect at New York Theatre Workshop and collaborates with Evidence Room/Bart DeLorenzo. EDUCATION: Awarded the Tisch School of the Arts Scholarship, received her MFA in Theatre and Film Design from Tisch School of The Arts/NYU with the J.S. Seidman Graduating Award for Excellence in Design. Graduated from Lisbon Theatre and Film School and from the Faculty of Architecture/Technical University of Lisbon. She is an architect and a proud scholar with Calouste Gulbenkian Foundation, Luso-American Foundation, member of the Portuguese Architects Association, and United Scenic Artists USA 829, IATSE. Frederica is adjunct faculty at Pierce College (Scenic Design, Stagecraft, Production, Introduction to Theatre Design, Introduction to the Theatre) and a guest designer (Scenic and Costume Design) at CSUN. Nominated for an NAACP Scenic Design Award and a 2018 LA STAGE Alliance Ovation Award in Scenic Design (Large Theater) for Henry V - ANW. 

IG: @fredericanascimentodesign

Michael Sande (

has been working in both professional and academic theatre for over 30 years. He holds BA degrees in History and Communications from the University of Washington. Michael began his theatrical career in 1986 at ACT Theatre in Seattle as Public Relations Director, and several years later as Communications Director. Between those gigs, he served as Director of Marketing and Public Relations at the two-time Tony Award-winning Goodspeed Musicals in Connecticut and in the same capacity at the historic Pasadena Playhouse.

Michael has worked on over a dozen world premiere productions, including Scent of the Roses (starring the legendary Julie Harris), Power Plays (written by and starring Alan Arkin and Elaine May) and the musical Sisterella (produced by Michael Jackson for the Pasadena Playhouse). While at ACT Theatre, he was honored to work with George Furth and Stephen Sondheim on the revised version of their musical, Merrily We Roll Along. Michael has been serving as Managing Director at LAPC Theatre since 2003.

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Kathryn Juday
Edward Salas

Born and raised in Southern California, DJ Medina, has been making noise since he was old enough to “throw things off the table just to hear them hit the floor.” As a percussionist, he has learned how important every little sound can be. DJ was a 2016 BroadwayWorld - Best Sound Designer nominee for his work on Good People at the Hudson Guild Theatre. Other productions include Waiting for Godot, Vanya, Sonia, Masha, & Spike, Love/Sick, Top Girls, Brilliant Traces, and In The Heights. He has also worked at Knotts Berry Farm as well as Universal Studios and the Hollywood Bowl. DJ joined Pierce College Staff Spring 2018.

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